English translation of Élisabeth, the New Wave director’s 1946 book about young lovers in prewar Paris, receives rave reviews as precursor to auteur’s cinematic work
In the dog days of the second world war, 24-year-old Maurice Schérer wrote a tale of young lovers in prewar small-town France. He described lazy August swims in the Marne River east of Paris. He wrote about age-gap affairs and semi-incestuous flirtations. Schérer gallantly used a nom de plume, Gilbert Cordier, to shield his Catholic family from scandal, but he needn’t have bothered as his concerns were unfounded. The finished novel, Élisabeth, barely made a ripple and quickly slipped out of print. Undeterred, Scherer adopted a second pseudonym – Éric Rohmer – and decided to try his luck as a film-maker instead.
Now – eight decades on from its first publication, 16 years on from its author’s death – Élisabeth belatedly returns from the cold. Republished in an English-language translation by Aaron Kerner, Rohmer’s book has been greeted with glowing reviews, hailed as a lost modernist classic and a crucial origin story for the award-winning director of Claire’s Knee, The Green Ray and My Night at Maud’s. “It would be a rewarding, exciting read even if the identity of its author were unfamiliar,” wrote Richard Brody in the New Yorker. The fact that it’s by Rohmer? That’s the icing on the cake.
